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Full Blog
● Feature
● New Release Review
● Classic Review
● 'The Iron Claw' would be tragic overkill if it wasn't true
● 'Ferrari' is masterful pop filmmaking
● 'Maestro' is technically dazzling nothingness
● Top 5 Alternative Christmas Movies
● 60 years later, 'Contempt' remains one of Godard's most relevant
● 'Fallen Leaves' is a muted masterpiece
● What makes Charles Melton so good in 'May December'?
● 'The Delinquents' is a refreshing, political, subversive heist film
● 'Saltburn' is shocking… shockingly bad
● 'Napoleon' is a sterile bore
● Does historical accuracy matter?
● 'The Killer' is David Fincher's confessional
● 'Anatomy of a Fall' and art as a reflection of the artist
● 'Priscilla' is Sofia Coppola's best film in years
● 'The Holdovers' is an absolute delight
● 'Strange Way of Life' is emotionally potent and narratively unsatisfying
● 10 years later, 'The Wolf of Wall Street' is still somehow misunderstood
● 'Killers of the Flower Moon' is deeply moving and structurally messy
● Drop The Needle: Top 10 'Goodfellas' Needle Drops
● My Night Among The Swifties
● 50 years later, 'The Exorcist''s mainstream success seems like a miracle
● Wes Anderson's collection of Roald Dahl shorts are cute formal experiments
● 40 years later, there's still nothing like 'Stop Making Sense'
● 'El Conde' is a commendable big swing, but a mixed bag
● 'The History of the Minnesota Vikings' is more comprehensive than the team deserves
● 20 years later, 'Lost in Translation' is Sofia Coppola's masterpiece
● 'Bottoms' is an unfunny disappointment
● Adult comedies are back. Is anyone going to do something interesting with them?
● 'Passages''s biggest problems are hype and expectations
● 20 years later, 'Oldboy' remains one of the most shocking and disturbing films of the century
● 'The Adults' is a poignant film about the cathartic nature of performance
● MovieTok isn't a new way of talking about movies, it's anti-intellectual garbage
● 'Talk to Me' buries its best moments under dull conventionality
● Drop The Needle: 'Frances Ha' breaks Bowie's 'Modern Love' free
● 'Theater Camp' is a standard Sundance crowd-pleaser, for better and worse
● 50 years later, 'American Graffiti' is as radical as any other New Hollywood classic
● 2023: The year of the product movie
● 'Barbie''s overdone ideas and status as corporate product overwhelm its fun kitsch
● 'Oppenheimer' is as much about making art as it is about making the bomb
● 15 years later, superhero movies have never surpassed 'The Dark Knight'
● 'Mission: Impossible — Dead Reckoning Part One' doesn't reinvent the wheel but remains thrilling
● 'Past Lives' shows nothing is ever over, even if you think it is
● The best films of 2023 so far
● 'Indiana Jones and the Dial of Destiny' is nothing without Steven Spielberg
● Reviewing the 'Indiana Jones' Quadrilogy
● 'Asteroid City' is Wes Anderson asking for your trust
● 25 years later, 'Rushmore' is Wes Anderson coming of age
● What AI can never replicate about Wes Anderson
● 'Elemental' sells kids short by playing it too safe
● 20 years later, 'Finding Nemo' is Pixar at its peak
● 'A Thousand and One' stumbles when it goes too big
● 30 years later, 'Jurassic Park' shows how great direction can overcome dated effects
● 'Spider-Man: Across the Spider-Verse' puts the entire superhero genre to shame
● A Spider-Man Movie Review Revue
● 'West Side Story': When remakes are valuable
● ‘The Little Mermaid’ is devoid of life, imagination, and artistry
● 60 years later, ‘Scorpio Rising’ is as fresh and provocative as ever
● 'Master Gardener' stumbles through its messy racial dynamics
● 40 years later, 'Monty Python's The Meaning of Life' shows the group had it to the very end
● 'The Graduate': What Now?
● 'BlackBerry' is a warning to the film industry
● 20 years later, 'Elephant' remains a vile piece of exploitation
