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New Releases
2023 New Release Reviews
'Evil Does Not Exist' is brilliant… until it isn't
'Megalopolis' is Francis Ford Coppola's defining artistic statement
'The Substance' is a failed mashup of Coralie Fargeat's influences
Dual Review: 'My First Film' and 'Hundreds of Beavers'
'Between the Temples' finds joy in existential dread
'Close Your Eyes' shows the power (and limits) of cinema
'Dìdi' thrives in the mess of teenage boyhood
'Deadpool & Wolverine' is creatively bankrupt
The real killer in 'Longlegs' is hype
'Kinds of Kindness' is Lanthimos devolving as an artist
'Hit Man' is fun and sexy, unlike anything else out right now
'Furiosa: A Mad Max Saga' is a disappointing evolution
'I Saw the TV Glow' is a heartbreaking take on our relationship with media
'The Fall Guy' falls flat
Expect plenty from 'Do Not Expect Too Much from the End of the World'
The pleasures of 'Challengers' bubble under the surface
'Civil War' is idiocy and intrigue in equal measure
'Monkey Man' is a mess
'Road House' doesn't understand its own appeal
'Love Lies Bleeding' is sleazy, grotesque genre fun
With 'Dune: Part Two,' the series remains impressive but empty
'Origin' shows Ava DuVernay does not understand film as a medium
'The Zone of Interest' is a bleak, sickening masterpiece
'All of Us Strangers' is a raw look at post-pandemic grief and isolation
'American Fiction' is content to play it safe
